{"id":7943,"date":"2019-11-22T10:24:15","date_gmt":"2019-11-22T14:24:15","guid":{"rendered":"https:\/\/www.palabranueva.net\/cantar-a-la-habana\/"},"modified":"2021-02-16T14:42:59","modified_gmt":"2021-02-16T18:42:59","slug":"cantar-a-la-habana","status":"publish","type":"post","link":"https:\/\/www.palabranueva.net\/it\/cantar-a-la-habana\/","title":{"rendered":"Cantare all’Avana nel suo mezzo millennio"},"content":{"rendered":"

Un tour musicale di cinque secoli di arte nella capitale \u00e8 stata la proposta del Gala Culturale organizzato dalla Cattedra di Musica Sacra del Centro Culturale Padre F\u00e9lix Varela e presentato nella Cattedrale S.M.I. dell’Avana la notte del 17 novembre.<\/p>\n

Su invito della Chiesa cattolica a dare un’alta proposta musicale al villaggio di Habanera nel suo mezzo millennio, artisti eccezionali risposero, tra cui Jos\u00e9 Mar\u00eda Vitier, Ern\u00e1n L\u00f3pe-Nussa, il soprano Milagros de los Angeles Castillo, i cori Schola Cantorum Coralina, Vocal Leo ed Exaudi. A loro si unirono la Havana Lyceum Orchestra, la National Concert Band, i pentiti Yenisleydi Gonz\u00e1lez Garc\u00eda e Luis Paz Esquivel, cos\u00ec come ballerini della Irene Rodr\u00edguez Company e Contemporary Dance of Cuba.<\/p>\n

Con l’interpretazione dell’Inno di Bayamo e del complesso di San Cristobal, inizi\u00f2 la passeggiata attraverso il meglio dell’arte Habanero, con tappe importanti che includevano la rappresentazione, in prima, di un Te Deum composto da Esteban Salas e trascritto secoli dopo dalla musicologa Miriam Escudero e la rappresentazione coreografica del poema di Nicol\u00e1s Guill\u00e9n “Balada de los dos abuelos” , coreografato dall’insegnante Irene Rodriguez.<\/p>\n

Il tour ha riguardato diversi esponenti della musica come habanera, decimo contadino e zarzuela, in alcuni casi accompagnati da ballerini che incarnavano sul palco l’essenza di generi come calzolaio e poetica intrappolati nell'”Addio a Cuba” di Ignacio Cervantes, con l’esecuzione pianistico di Marcos Madrigal.<\/p>\n

Il talento degli artisti ospiti si \u00e8 aggiunto alla freschezza degli Scolari dell’Arcidiocesi dell’Avana e di San Juan de Letr\u00e1n, nonch\u00e9 alla professionalit\u00e0, gi\u00e0 esposta, del coro intercomunitario della diocesi, sotto la direzione di Ada Rabelo.<\/p>\n

\"Palabras,
Parole del Cardinale Arcivescovo Juan de la Caridad Garc\u00eda<\/figcaption><\/figure>\n

Nelle sue parole, il cardinale arcivescovo Juan de la Caridad Garc\u00eda invit\u00f2 la musica ad essere incorporata nella vita di tutti i giorni, in modo che le lotte, le ansie e la vita familiare e sociale possano essere pi\u00f9 armoniose, pi\u00f9 confortevoli e divertenti. Per i grandi doni che L’Avana ha dato ai suoi abitanti in cinquecento anni di storia, chiese a tutti di rispondere come Salmista: “Ringraziamo il Signore perch\u00e9 \u00e8 buono”.<\/p>\n

\u00c8 stato un bellissimo gala che ha cantato alla Citt\u00e0, al suo Patrono e alla Vergine della Carit\u00e0 del Rame, la cui immagine ha imposto la sua presenza accompagnata da un grande coro di voci che l’ha ricevuta con il brano “Virgen Mambisa”.<\/p>\n

La direzione generale dello spettacolo corrispondeva al sacerdote Yosvany Carvajal Sureda, la produzione e la direzione musicale sono state svolte dal maestro organista Mois\u00e9s Santiesteban, che dirige anche la Cattedra di Musica Sacra del Centro Culturale Padre F\u00e9lix Varela.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un tour musicale di cinque secoli di arte nella capitale \u00e8 stata la proposta del Gala Culturale organizzato dalla Cattedra di Musica Sacra del Centro Culturale Padre F\u00e9lix Varela e presentato nella Cattedrale S.M.I. dell’Avana la notte del 17 novembre.<\/div>\n

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