Year: 2019

I presume that Ena Lucía Portela’s lightheartedness or irreverence corresponds to her indispensable sense of humor. I recognize with her, indeed, that for this “to be really effective, it must always have a not laughable […]

Imagine that you were born in the middle of the last century; imagine, therefore, that it is marked by the seventh art; imagine that Payret, America, Radiocine-Jigue, Radiocentro-Yara, Atlantic-Chaplin, Duplex, Rex Cinema, La Rampa, Rialto, […]

There is a street in Havana that begins and ends at sea. After overflowing the city its walled frame was the longest of extramurs for many years. San Cayetano was the first name by which […]

When asked if the attitude of Daniel Ellberg, the official who stole secret U.S. government documents about the Vietnam War, can somehow be considered a “precursor” gesture of Snowden’s decision, Spielberg reacted with a rather […]

To characterize Rudy Mora’s work, there is no talk of searches, but of findings, of easily recognizable personal brands. There is a courageous and nuanced approach to difficult and pressing themes of today’s Cuban society, […]