Month: April 2019

Imagine that you were born in the middle of the last century; imagine, therefore, that it is marked by the seventh art; imagine that Payret, America, Radiocine-Jigue, Radiocentro-Yara, Atlantic-Chaplin, Duplex, Rex Cinema, La Rampa, Rialto, […]

There is a street in Havana that begins and ends at sea. After overflowing the city its walled frame was the longest of extramurs for many years. San Cayetano was the first name by which […]

When asked if the attitude of Daniel Ellberg, the official who stole secret U.S. government documents about the Vietnam War, can somehow be considered a “precursor” gesture of Snowden’s decision, Spielberg reacted with a rather […]

To characterize Rudy Mora’s work, there is no talk of searches, but of findings, of easily recognizable personal brands. There is a courageous and nuanced approach to difficult and pressing themes of today’s Cuban society, […]

“He is not an artist. He’s a witness. It’s a testament to what can make God with your life if you get carried away with Him.” Words of Mother Teresa of Calcutta about Facundo Cabral. […]

As Geovannys Manso begins his novel The Sleepy Children of the Abyss (Editorial Letras Cubanas, 2016) with the certainty: “Today my father has died”, the reader can assume that he will face a backward journey, […]