Magazine Archives

The complicated and troubling movie and childhood duet deals with HBO’s new documentary film “The Kids of Hollywood.” It is not the first time that the presence of children in cinema has been the subject of other materials, but now we are offered an audiovisual well focused on the event. From how the casting process in Hollywood works for infants to the impact of being bewitched, to the letter, by the siren chants of America’s film industries.

The story of Denys San Jorge was complicated one day by waking up with the news that as a result of a reckless social attitude, the Covid-19 put its terroir in check and quarantine. If St. George was moved earlier, to the point of dedicating his homage to cities of the middle world, he was now twice moved, for the disease had been planted clearly among the people who, throughout a lifetime, shared with him a common space of deprivation and hope. He didn’t wait too long for the artist. Bauta would also have his name “written” with washers, tweezers and keys.

Producer and director Ian Bonhate and screenwriter Peter Ettedgui do very well. After their excellent “McQueen” (2018), a biographical documentary about famed and influential big-screen idol Steve McQueen, they both rejoin and surprise with “Rising Phoenix. History of Paralympic Games”, material that already integrates the catalog of the impetuous Netflix.

Erdwin Vichot does not support half inks. It’s facing the storms. For him, perfection in executing his instrument is a task he cultivates with patience, respect and goldsmith virtuosity, whether when faced with a performance in a library, a church or an art gallery, which when commanded by the baton of the teacher Leo Brouwer in a concert of high harmonic complexity. Under these principles lives this virtuous, man of Christian faith, who on more than one occasion has referred me to various musical allusions within the Bible concerning the laus and other instruments of familiar closeness to it.