CULTURE

A fictional reunion between four prominent African-Americans, Cassius Clay, Malcolm X, Sam Cooke and Jim Brown, is the substrate of the film “A Night in Miami,” based on Kemp Powers’s eponymous play, who is also the screenwriter of the Regina King-directed film play.

Durante algún tiempo, desde Palabra Nueva hemos recomendado y comentado algunas propuestas, especialmente fílmicas, incluidas en el llamado “paquete semanal”. Es nuestro propósito seguir con esta sección. Pero esta vez queremos ahondar en lo que en Cuba muchos consideran como alternativa audiovisual: “El paquete no (se) impone como la televisión. Su democracia está en que acoge porque oferta”.

“Queen’s Gambit”, a miniseries that takes the interest of many and whose approach he proposes, fairly, to place in the place that deserves talent and female intelligence in Chess

The film Fragments of a Woman does not focus on a story about motherhood. This proposal by hungarian director Mundruczó (AFTA – Day After Day, Pleasant Days, Little Apocrypha No.1, Joan of Arc on the Nightbus…), which has featured screenwriter Kata Wéber, wants to show the sudden collapse of a life project in the face of desire and the possibility of a couple (Sean and Martha) making family. Martha’s character will offer a lesson in humanity above what everyone expects.

Many writers have incorporated the Bible into their books. Among them, the following article reminds us of William Faulkner (Nobel Prize in Literature 1949).  He, like thousands of authors, would not let his literary imagination pass indifferent to the most famous narrative text of all time, from which he knew how to draw more than one interpretation when it came to opening himself to the depths of the human soul and giving away pieces as striking in that sense as Absalom, Absalom! And descend, Moses. In times of obligatory gathering, it would be not bad to stop, at least, in the work of a teacher of our teachers. It would be worth the try.

Despite the pain from the losses caused by covid, 2020 was an opportunity for the young Catholic writer, Xavier Carbonell, to cultivate himself. Beyond his own experience, he considers that during this time of pandemic, joints and ordering? many Cubans have opted for rereadings of retired books, magazines and films. “Despite everything, we’re still willing to hit all the balls on the room, officially certified for the next five years,” he says.

As for many, 2020 was a years agond for Daniel Céspedes Góngora. However, from him he was able to experience, as never before, being an author. His nonconformity in the face of the world situation felt from our country, motivated him to write with will: he prepared an anthology about María Zambrano (Maria Zambrano at the Universidad del Aire, 2020); he wrote a new prologue for the Cuban edition of The Golden Weather for the Nile. Another reading by José Lezama Lima, by Roberto Méndez and, by adventure, Alberto Garrandés, summoned him to write the words of cover of his recent volume Un owl perplejo (essays on cinema). Previously, this young writer, a regular collaborator of Palabra Nueva, won the Eliseo Diego Prize in the nonfiction category, which ensures that it is first published in Cuba.

Since December, the great film of 2020 is circulating, a pandemic year that condemned us to lock up, to see life from the limits of the home and the screen of the mobile phone, a paradox, a great irony, because what we have had the least in all these months is mobility. “Mank” is the perfect film to close the season: the story of a screenwriter who develops his best work since the temporary immobility that caused him a traffic accident. Prostrate, in bed, on a ranch that functions as a bubble, he conceives the film that tops all the lists in the last eight decades: “Citizen Kane”.

With the premiere of “Malasaña 32” (Albert Pintó), a film that takes up haunted houses –so common in horror plots–, Spanish cinema once again transitions from mystery to belief. Although it does not want to be the typical film of bloodied dead and murderous spirits, it ends up being too gimmicky. And it’s a shame … because “Malasaña 32”, which exhibits a very attractive setting on the screen, carries a complicated life story, the one necessary to have given more substance to the narrative.

Stephanie Turner writes, directs and acts in Justine (2019), a feature film about the deterioration and possibility of personal recovery from sympathy or reciprocal influence. This is one of the most beautiful recent works of […]